This gives you a bit of overlap and means that you won’t need to change lenses quite so often. Canon 500mm f/4L IS lens or Nikon 500m f/4 VR lens. Probably one of the most frequent questions we get asked by clients is “What lenses should I take on safari?”. The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. The SL2-S marks Leica's entry into the stills/video hybrid market. For many, one of the iconic images of Africa is the plains of the Masai Mara teeming with animals. The best lens choices for wildlife photography. In practical terms, you should be able to manage with 3 lenses, maybe just 2. I have been fortunate enough to see everything from whales to reindeer while taking pictures, and I’ve learned some tips for photographing wildlife with a short telephoto lens along the way. The sheer weight of such a collection of lenses makes it impractical. I know that the 600mm lens is quite big and heavy, but the 400mm lens is Bought a 75-300, better but still not enough. Any thought on the Tamron 18-400mm for a Tanzania safari? Far better to buy lenses that you’ll use on an everyday basis; even with a relatively short zoom lens, like an 18-140mm, you’ll still get plenty of great shots on safari. Furthermore, you may actually be disturbing or frightening the animals if you try this -- you want to keep well away from nesting and mating sites. The Fujifilm 55-200mm won’t have enough range for wildlife though. As a bird and wildlife photographer myself who has recently tried the EF 300mm f/4 lens, I have to state that it is an excellent lens! At the moment the Sigma costs just £100 more than the 18-400mm Tamron. We should all have problems like that! One thing to consider if you are choosing between the Nikkor and the Sigma is that the zoom ring on the Sigma works in the opposite direction to the Nikkor. Example below. Part of that is that, in a lot of wildlife work, you can never have enough length – and this is the longest reasonable lens there is. The 70-200mm lens is a flagship lens for companies like Nikon and Canon; consequently they are very well built and capable of terrific results. While a Canon 28-135mm lens might be long enough at the 135mm end to fill the frame with a bird a dozen feet away, it just doesn’t have the focal length to zoom in on a deer several hundred feet away. im thinking of buying a 55-200 mm lens for my Nikon D60 but cant afford to go up to 300mm. So, on the assumption that you’re using a DSLR and want to cover all eventualities, what should you take? Any advice appreciated. While there are size and weight differences between ƒ/2.8 and ƒ/4 models, even the largest and heaviest 70-200mm is manageable compared to a 300mm or 400mm telephoto. Why?Versatility and image quality. If you can’t afford any of the other wildlife lenses listed above, You can choose this one. This is a whole subject on it’s own, but it does have a direct bearing on how the lenses you choose will perform, so it’s worth going into briefly. These lenses are also highly rated and cover a very useful range. He is finding that it does not zoom enough to take good pictures of local wildlife. I will really appreciate any recommendation. One thing you don’t mention though is heat haze and the effects on an image . I want to upgrade the camera to the Canon M50 but I don't know if I should keep the 55-250mm and adapt it to the M50 or get the 55-200 instead? Also, if you live in sparse populated areas, cold climates, and places where birds may only be present part of the year, you may have much more timid wildlife, and even those large birds won't let you get within 100 feet without flying off...so again, you'll need all the reach you can get. If conditions are dusty I will generally cover my camera and lens with a scarf while it is sitting on my lap and then, when I am back in camp, I wipe them down with a slightly damp cloth to remove as much dust as possible. The other big advantage of the 70-200mm lens is that it is relatively fast; either f2.8 or f4. https://www.scantips.com/lights/fieldofview.html. As you said, it is heavy, but it is a great lens. If you are trying to photograph wildlife, candid portraits, or anything that you can’t get close to, the 70-200mm lens will come in handy. It is very heavy so a bit worried about using in a safari vehicle. If you want to know more detail about sensor sizes then this is a good article to read, https://newatlas.com/camera-sensor-size-guide/26684/. is 200mm good for wildlife photography or is it to short a focal length. Birds are among the most interesting subjects in nature photography, but capturing them in their environment can be tricky. Years ago I got a used Sigma 400mm APO Macro for Euro 90. The reach of the 70-200mm is perfect for so many situations, allowing you to focus in on key subject areas, crop out distracting areas or elements in your frame and just get closer to the action. When the lens is attached to a crop frame DSLR, the focal length is multiplied by 1.5x. Very helpful. For small birds you may not get a large enough subject with the 70-200mm so in that case I guess the 100-400mm wins. If you like shooting wading birds, ducks, large birds, etc - then you may get by fine in the tropics. 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